Serveur d'exploration Debussy

Attention, ce site est en cours de développement !
Attention, site généré par des moyens informatiques à partir de corpus bruts.
Les informations ne sont donc pas validées.

The Physics of Music

Identifieur interne : 002074 ( Main/Exploration ); précédent : 002073; suivant : 002075

The Physics of Music

Auteurs : Carl E. Seashore

Source :

RBID : ISTEX:D5E3F486B21F0EFB11F9484E300D67A82B5FDE48

English descriptors


Url:
DOI: 10.2307/3386743


Affiliations:


Links toward previous steps (curation, corpus...)


Le document en format XML

<record>
<TEI wicri:istexFullTextTei="biblStruct">
<teiHeader>
<fileDesc>
<titleStmt>
<title xml:lang="en">The Physics of Music</title>
<author wicri:is="90%">
<name sortKey="Seashore, Carl E" sort="Seashore, Carl E" uniqKey="Seashore C" first="Carl E." last="Seashore">Carl E. Seashore</name>
</author>
</titleStmt>
<publicationStmt>
<idno type="wicri:source">ISTEX</idno>
<idno type="RBID">ISTEX:D5E3F486B21F0EFB11F9484E300D67A82B5FDE48</idno>
<date when="1944" year="1944">1944</date>
<idno type="doi">10.2307/3386743</idno>
<idno type="url">https://api.istex.fr/document/D5E3F486B21F0EFB11F9484E300D67A82B5FDE48/fulltext/pdf</idno>
<idno type="wicri:Area/Istex/Corpus">000164</idno>
<idno type="wicri:explorRef" wicri:stream="Istex" wicri:step="Corpus" wicri:corpus="ISTEX">000164</idno>
<idno type="wicri:Area/Istex/Curation">000164</idno>
<idno type="wicri:Area/Istex/Checkpoint">002108</idno>
<idno type="wicri:explorRef" wicri:stream="Istex" wicri:step="Checkpoint">002108</idno>
<idno type="wicri:doubleKey">0027-4321:1944:Seashore C:the:physics:of</idno>
<idno type="wicri:Area/Main/Merge">002200</idno>
<idno type="wicri:Area/Main/Curation">002074</idno>
<idno type="wicri:Area/Main/Exploration">002074</idno>
</publicationStmt>
<sourceDesc>
<biblStruct>
<analytic>
<title level="a" type="main" xml:lang="en">The Physics of Music</title>
<author wicri:is="90%">
<name sortKey="Seashore, Carl E" sort="Seashore, Carl E" uniqKey="Seashore C" first="Carl E." last="Seashore">Carl E. Seashore</name>
</author>
</analytic>
<monogr></monogr>
<series>
<title level="j">Music educators journal</title>
<idno type="ISSN">0027-4321</idno>
<idno type="eISSN">1945-0087</idno>
<imprint>
<publisher>SAGE Publications</publisher>
<pubPlace>Sage CA: Los Angeles, CA</pubPlace>
<date type="published" when="1944-11">1944-11</date>
<biblScope unit="volume">31</biblScope>
<biblScope unit="issue">2</biblScope>
<biblScope unit="page" from="44">44</biblScope>
<biblScope unit="page" to="46">46</biblScope>
</imprint>
<idno type="ISSN">0027-4321</idno>
</series>
</biblStruct>
</sourceDesc>
<seriesStmt>
<idno type="ISSN">0027-4321</idno>
</seriesStmt>
</fileDesc>
<profileDesc>
<textClass>
<keywords scheme="Teeft" xml:lang="en">
<term>Aaron copland</term>
<term>Accompaniment figuration</term>
<term>Additional piano</term>
<term>Admirable crichton</term>
<term>Aesthetic maturity</term>
<term>Alexander glazounov</term>
<term>Alexander wood</term>
<term>Amateur psychologist</term>
<term>Ambitious enalmost</term>
<term>American book</term>
<term>American composers</term>
<term>American composition</term>
<term>American teachers</term>
<term>Anna mccague</term>
<term>Arthur hartmann</term>
<term>Artist addition</term>
<term>Artistic challenge perspicacity</term>
<term>Attractive book</term>
<term>Author deals</term>
<term>Author enunciates</term>
<term>Author states</term>
<term>Band library</term>
<term>Bass clefs</term>
<term>Bass staff</term>
<term>Beautiful burrows</term>
<term>Best players</term>
<term>Better material</term>
<term>Better music</term>
<term>Better teaching</term>
<term>Better york</term>
<term>Biographical musicians</term>
<term>Blica tions</term>
<term>Brandenburg school organizations</term>
<term>Brass instrument</term>
<term>Brilliant composer</term>
<term>Bruce jones</term>
<term>Camargo guarnieri</term>
<term>Carl ferdinand david</term>
<term>Carl fischer</term>
<term>Carl fischer edition</term>
<term>Casual reader</term>
<term>Choral conductor</term>
<term>Choral group</term>
<term>Chord passages</term>
<term>Clarinet parts</term>
<term>Claude debussy</term>
<term>Clear experience teacher</term>
<term>Colored soldiers</term>
<term>Composition style</term>
<term>Concert duets</term>
<term>Conservatory player</term>
<term>Constance joan naar</term>
<term>Copyright date</term>
<term>Current centuries</term>
<term>David mattern</term>
<term>Delicate maticisms syncopation demands</term>
<term>Delkas music</term>
<term>Dents approthat</term>
<term>Dependable staccato</term>
<term>Description band</term>
<term>Difficult exercises</term>
<term>Difficult ranges</term>
<term>Earhart helpfulness</term>
<term>Easy pieces</term>
<term>Emotional factor</term>
<term>English texts</term>
<term>Enjoyable road</term>
<term>Ensemble numbers</term>
<term>Ensemble units</term>
<term>Excellent book</term>
<term>Fabian lopez</term>
<term>Father book</term>
<term>Father finn</term>
<term>Fellow musicians</term>
<term>Fiddlers need</term>
<term>Fine cantilena</term>
<term>Fine instructures</term>
<term>Fine textbook</term>
<term>Fingerings transvalse sentimentale</term>
<term>First book</term>
<term>First task</term>
<term>Folk dances</term>
<term>Folk songs</term>
<term>Foremost writer</term>
<term>Francis sketches american</term>
<term>French horn</term>
<term>Frenetic music</term>
<term>Full band</term>
<term>Gabriel faure</term>
<term>Gehrkens john philip theodore edward thomas</term>
<term>George drumm</term>
<term>George gershwin</term>
<term>Georges barrere</term>
<term>Glen haydon</term>
<term>Good march</term>
<term>Good tone study</term>
<term>Great interest</term>
<term>Great music</term>
<term>Great russian</term>
<term>Gregor piatigorsky</term>
<term>Gustav strube</term>
<term>Harper brothers</term>
<term>Hermann mathere</term>
<term>High schools</term>
<term>Illusby grace overmyer</term>
<term>Index groups</term>
<term>Indigenous need</term>
<term>Indigenous position</term>
<term>Informal approach</term>
<term>Informal material</term>
<term>Information illustrations</term>
<term>Interpretation processes</term>
<term>Introductory price</term>
<term>Irving tallmadge duets</term>
<term>Jacques gordon</term>
<term>John page</term>
<term>Juilliard grade</term>
<term>Junior student</term>
<term>Leopold spitalny</term>
<term>Little treatise</term>
<term>Little waltz</term>
<term>Louis gottschalk</term>
<term>Louise charles wakefield homer</term>
<term>Lowell mason</term>
<term>Many parts</term>
<term>Many styles</term>
<term>Many things</term>
<term>Many years</term>
<term>Marian cotton</term>
<term>Master composer</term>
<term>Master conductor</term>
<term>Material ticularly</term>
<term>Mature artistry</term>
<term>Mechanical problem</term>
<term>Medium difficulty</term>
<term>Medium grade</term>
<term>Melodic exercises</term>
<term>Melodic figures</term>
<term>Melodic interest</term>
<term>Melodic morceaux</term>
<term>Mere music educator</term>
<term>Minor keys</term>
<term>Modern effects</term>
<term>Mood gested</term>
<term>Mood sugresponsibility</term>
<term>Much music styles</term>
<term>Music appreciation</term>
<term>Music corp</term>
<term>Music education</term>
<term>Music horizons</term>
<term>Music illustrations horizons</term>
<term>Music publishers</term>
<term>Music publishing</term>
<term>Music teaching</term>
<term>Music york</term>
<term>Musical abilities</term>
<term>Musical acoustics</term>
<term>Musical fabric</term>
<term>Musical interpretation</term>
<term>Musical profession</term>
<term>Musical themes</term>
<term>Musical value</term>
<term>Mystic maze</term>
<term>National trends</term>
<term>Nikolai lopatnikoff</term>
<term>Notable incorintegration</term>
<term>Obtainable cellists</term>
<term>Optional part</term>
<term>Osbourne mcconathy</term>
<term>Other parts</term>
<term>Other subleties</term>
<term>Otto luening</term>
<term>Oxford university</term>
<term>Parade type march</term>
<term>Parade work</term>
<term>Parand student</term>
<term>Parts music publishers</term>
<term>Paul herfurth band freedom</term>
<term>Paulist choir</term>
<term>Performer solo</term>
<term>Philosophical library</term>
<term>Phrasing repertoire</term>
<term>Piano accompaniment</term>
<term>Piano part</term>
<term>Piano parts work</term>
<term>Pleasant folreading</term>
<term>Popular appeal</term>
<term>Preface states</term>
<term>Present material</term>
<term>Present work</term>
<term>Primary premises</term>
<term>Priscilla silver burdett company</term>
<term>Prominent solo part</term>
<term>Reading vocabulary</term>
<term>Ready reference work</term>
<term>Real criticism</term>
<term>Real enjoyment</term>
<term>Records class discussion</term>
<term>Rehearsal room</term>
<term>Representative violoncello</term>
<term>Robert mueller</term>
<term>Same line</term>
<term>Same measure</term>
<term>Samuel gardner</term>
<term>Schirmer</term>
<term>Score score</term>
<term>Seashore music educators journal</term>
<term>Separate parts</term>
<term>Serious student</term>
<term>Serito viola literature contribution interest</term>
<term>Several edition flutists</term>
<term>Several years</term>
<term>Sherwood press</term>
<term>Short bibliography</term>
<term>Simple book</term>
<term>Simple chroa</term>
<term>Simplified edition</term>
<term>Single detail</term>
<term>Slow tempos</term>
<term>Small book</term>
<term>Sole distributor</term>
<term>Sonal library</term>
<term>Strict polyphony</term>
<term>Stuextra parts</term>
<term>Symphonic conductors</term>
<term>Symphony part</term>
<term>Tasty encore</term>
<term>Teaching teachers</term>
<term>Technical exception</term>
<term>Technical melody</term>
<term>Terlacing colors</term>
<term>Third exercise</term>
<term>Third years</term>
<term>Trasting designs</term>
<term>Treble staff</term>
<term>Trial arts</term>
<term>Trombone section</term>
<term>Trombone solo</term>
<term>Unit headings</term>
<term>Urgent flow</term>
<term>Valve tromprogressive</term>
<term>Various books</term>
<term>Various exclusion</term>
<term>Violinist passages</term>
<term>Violins viola</term>
<term>Violoncello intermezzo</term>
<term>Violoncello transc</term>
<term>Voice line</term>
<term>Wartime paper</term>
<term>Wide appeal</term>
<term>Wide english</term>
<term>Wilson company</term>
<term>Wind instruments</term>
<term>Young people</term>
<term>Young player</term>
</keywords>
</textClass>
<langUsage>
<language ident="en">en</language>
</langUsage>
</profileDesc>
</teiHeader>
</TEI>
<affiliations>
<list></list>
<tree>
<noCountry>
<name sortKey="Seashore, Carl E" sort="Seashore, Carl E" uniqKey="Seashore C" first="Carl E." last="Seashore">Carl E. Seashore</name>
</noCountry>
</tree>
</affiliations>
</record>

Pour manipuler ce document sous Unix (Dilib)

EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/DebussyV1/Data/Main/Exploration
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 002074 | SxmlIndent | more

Ou

HfdSelect -h $EXPLOR_AREA/Data/Main/Exploration/biblio.hfd -nk 002074 | SxmlIndent | more

Pour mettre un lien sur cette page dans le réseau Wicri

{{Explor lien
   |wiki=    Wicri/Musique
   |area=    DebussyV1
   |flux=    Main
   |étape=   Exploration
   |type=    RBID
   |clé=     ISTEX:D5E3F486B21F0EFB11F9484E300D67A82B5FDE48
   |texte=   The Physics of Music
}}

Wicri

This area was generated with Dilib version V0.6.33.
Data generation: Tue Sep 25 16:34:07 2018. Site generation: Mon Mar 11 10:31:28 2024